Spotlight
Showing posts with label Featured Illustrators. Show all posts
Showing posts with label Featured Illustrators. Show all posts

[Featured Illustrators] Daniel O'Brien





Daniel O'Brien's unpublished first children's book, The Carnival Prince, developed from drafts workshopped in his SCBWI writing group, and is inspired by his love for Caribbean folklore, Trinidad Carnival and the natural landscape of the islands.

Set in Trinidad, the richly vibrant world of Carnival comes to life in The Carnival Prince, an illustrated short chapter book for readers ages 6 and older. To the Boy with the Stubby Antlers, the world outside his jungle home is intimidatingly full of strange change. The Boy would much rather spend his days with his friend, the Scarlet Ibis, exploring the bush and swimming with the manatees. Yet the scents, sounds, and sights of Carnival beckon him every year. Enter The Midnight Robber, a rapscallion who speaks with Trinidadian flare. Taunted annually by The Dragon, a menacing yet popular Carnival figure, The Midnight Robber plots his mischievous revenge. With the help of The Boy, they make a pact to trick The Dragon and scare him away so everyone can enjoy the Carnival without fear.

O'Brien channels his admiration of Trinbagonian mas designers Peter Minshall and Wayne Berkeley into lovingly rendered scenes of Trinidad Carnival, depicting traditional mas characters in his cartoonesque illustrative style. He describes the illustrations in the book as "a personal love letter" to famed Trinidadian landmarks including Maracas Beach, Nariva Swamp and St. James, aka "the city that never sleeps."

Love is an underlying theme in the story. Animals like the Scarlet Ibis (The National Bird of Trinidad and Tobago), the West Indian Manatee and hummingbirds are depicted as playful, affectionate and devoted companions of the adventurous little prince. Also featured in the story are Papa Bois ("Father of the Woods") and Mama D'lo (from "Mother of the River"), who are the Carnival Prince's parents, and douens, mythological creatures from Trinidad and Tobago folklore believed to be the lost souls of children who have died without being baptized. The story humanizes these legendary folkloric characters by depicting them as a loving family.

The illustrations in The Carnival Prince were first painted in acrylics and then finalized digitally in Adobe Photoshop. O'Brien commented:

The illustration "For the Love of the Story (Too Young to Soca)" introduces the Boy with the Stubby Antlers. My inspiration came from my love for the old folklore of the Caribbean islands. Notice the Scarlet Ibis fleeing into the woods. I wanted this book to teach as well and inspire and entertain, so the introduction of the National Bird was my first attempt to do so. In the illustration "For the Love of Play," we see the Boy with the Stubby Antlers playing with the manatees in Nariva Swamp. These gentle creatures inspired folklore of their own; it has been said that they were once mistaken for mermaids.
For the Love of the Story (Too Young to Soca)

For the Love of Play

Blind Man's Buff

For the Love of Mischief


O'Brien on what Caribbean children's illustration means to him:

Caribbean children’s illustration helps me to connect to my culture and share it proudly with others. It provides an avenue in which to present stories people do not always get to experience, by using a voice that is not always heard. I am happy to contribute to the telling of our stories and would be honoured to be a part of the community helping children in the Caribbean and of Caribbean descent see themselves in the books they read.



Biography

Daniel O’Brien is a Trinidadian-born illustrator currently residing in Queens, New York with Obie, his loyal and energetic dog. He holds a BFA in Illustration from The School of Visual Arts. His training, coupled with his love of science, folklore and nature, inspires him to create otherworldly illustrations. His art has been shown in exhibits in Trinidad and New York, most recently in partnership with the Parsons Scholars Program. He is currently in the process of self-publishing his debut children's book, The Carnival Prince, which he both wrote and illustrated, and is excited as he looks forward to the next project.

View more of Daniel's work here:

thebasementmonster.com




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[Featured Illustrators] Alix Delinois





In 2010, Scholastic published Eight Days: A Story of Haiti, Alix Delinois' second illustrated children's book. Written by National Book Award nominee Edwidge Danticat in an attempt to explain the 2010 Haiti earthquake to her 5-year-old daughter, Eight Days: A Story of Haiti was hailed as "a brilliantly crafted story of hope and imagination" and "a powerful tribute to Haiti and children around the world." It was featured widely in the press, including by NPR and The Huffington Post.

In the story, a young boy, Junior, is trapped for 8 days beneath his collapsed house after an earthquake. He uses his imagination for comfort, drawing on beautiful, everyday-life memories of his life in Haiti, until he is finally rescued. Love and warmth dance across each page; the illustrations depict the tenderness and strength of Junior's love for his family and vice versa, as well as a young boy's deep love for an island so often depicted in a negative light.

Greetings, Leroy, Delinois' most recent illustrated picture storybook, was published by Groundwood books in May 2017. Written by Barbadian-Canadian children's author and bookstore owner Itah Sadu, the book features a young protagonist, Roy, who has just moved to Canada from Jamaica and is struggling to adjust to life in a strange, new country. The story follows Roy through his first, nerve-wracking day at school, and by the end of the day, Roy realizes he may come to love his new home as much as he loves his old home in Jamaica. Whether it is love for one's country of origin, the classroom as a loving community where everyone is made to feel welcome, or the parents love for Leroy, both text and illustrations reveal the importance of love in supporting a child through the challenging experience of immigration.

Delinois’ work displays a dynamic color palette and bold compositions to express human emotions and experience, including love. Believing less is more, Delinois employs strong compositions and designs that enable the viewer to experience art without the clutter found in everyday life. His work is mostly done using mixed media consisting of collage, acrylic and crayons. Delinois commented:

Junior and Christine playing in the rain from Eight Days was inspired by Ms. Danticat’s words and my own experiences in Haiti playing in the rain as child. "A kiss for Manman" depicts the tender, intimate connection between Junior and his mother. The picture where Junior is reunited with his parents was an emotional piece to work on. After the tragic earthquake that took the lives of so many loved ones, it was very empowering to depict the moment that Junior emerged from under the rubble after eight days of being buried alone. "Leroy and the baby" depicts the joy of Leroy finding the Bob Marley button he lost during his first day of school in a new country. The joy of finding the button represents the joy of his connection to his home country, Jamaica.
A kiss for Manman

Junior is reunited with his parents

Leroy and the baby

Junior and Christine dancing in the rain


Delinois on what Caribbean children's illustration means to him:

I believe Caribbean children’s illustrations depict the beauty and culture of life in the Caribbean. The Caribbean is a diverse place with influences from Africa and all over the world. The styles and colors of Caribbean children’s illustration represent universal themes of love and family.


Biography

Alix Delinois moved from Saint Marc, Haiti to Harlem, New York with his family at the age of seven. He knew he wanted to be an artist when he read Mufaro’s Beautiful Daughters by John Steptoe in fourth grade. He attended Art and Design High School in New York City and continued his studies at the Fashion Institute of Technology and Pratt Institute where he earned a B.F.A. in Illustration. He earned a Masters in Art Education at Brooklyn College. In addition to his career as a children's book illustrator, he teaches art to middle school students in Harlem, where he first started to pursue his own passion for the arts. His first children’s book was Muhammad Ali written by Walter Dean Myers. Since then, he has published three more picture books: Eight Days A Story of Haiti written by Edwidge Danticat, Mumbet’s Declaration of Independence written by Gretchen Woelfle, and Greetings, Leroy written by Itah Sadu.

View more of Alix's work here:

alixdelinois.com




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[Featured Illustrators] Jade Achoy





In 2014, Plain Vision Publishing published Jade Ahoy's first illustrated children's book, written by her librarian mother Grace Achoy. The Black Lake is loosely based on an Amerindian legend about the formation of the Pitch Lake, the largest natural deposit of asphalt in the world, found in the town of La Brea in southwest Trinidad.

The book tells the story of a little Amerindian girl named Tacumeh, the daughter of the village cacique (chief) and how she escapes death when the Pitch Lake is formed. Tacumeh, her brother Hisran and their parents live with their tribe in the lush green fields of La Brea. Their idyllic lives are turned upside one day when the villagers get their god angry, and life changes drastically for Tacumeh.

All of the illustrations were digitally created using Adobe Photoshop. The shadowy palette and heavy, dark lines convey a sense of mystery appropriate for an origin myth, and foreshadow the dark forces at play when "strange men" attack and pillage Tacumeh's village and chaos and fire break out. Achoy commented:

The illustration "Tacumeh with Hummingbird" focuses on the loveliness of Tacumeh and her unique connection with the hummingbird. I spent the longest time working on the details of the "Amerindian Village" illustration; it was fun to imagine and visualize the daily activities and lifestyles of the Amerindians. I wanted the cover of the book to provide the reader with a sense of the story, mood and mystery.
Tacumeh with Hummingbird

Amerindian Village

Book cover

The Resistance


Achoy on what Caribbean children's illustration means to her:

The Caribbean has a colourful, bright and vibrant culture and upbeat lifestyle. From my perspective, illustration helps to capture this wonderful culture that teems with rich stories of the pursuit of happiness, overcoming trials, and folklore from an amalgamation of people with diverse origins who came to the Caribbean. Ergo, Caribbean illustration can meaningfully showcase folklore and culture, and encourage the love of reading as the illustrations bring the words and ideas to life and provide enjoyment to a reader. Illustration can be inculcated like a hearty, filling and delicious slice of the Caribbean.


Biography

Jade Achoy graduated from the University of the West Indies, St. Augustine in 2010 and from Savannah College of Art Design in 2012. Her work ranges from identity and branding to illustrated children's books. Jade is currently a secondary school teacher, a freelance illustrator and part-time lecturer at the University of West Indies. She lives in Trinidad and Tobago with her family and two dogs, Trixie and Chance, where she likes to draw cute things and artistically depict Caribbean culture and life. Jade's work has been featured by STAN Magazine (UWI), Animae Caribe Festival (2010), Arc Magazine and Trinidad and Tobago's Guardian and Newsday newspapers.





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[Featured Illustrators] Jeunanne Alkins





Jeunanne Alkins' first picturebook project, Ready. SET...HATCH!, merges art, storytelling, and environmental awareness. The book is both written and illustrated by Alkins, and was self-published through her design studio, ESPjr, in 2014. She markets the book toward toddlers but it's a story for all ages.

Hatch is a competitive little leatherback turtle. He and his tiny hatchling brothers and sisters are racing wildly to crack out of their eggs and be first to the sea. Crisis arises as the nearby river breaks its banks, flooding the nest. Narrated by Hatch, this charming story teaches the young turtles a lesson about teamwork - they discover that unless they work together, no one will get out of the crumbling mess!

All of the illustrations were digitally created using Adobe Illustrator. The muted palette of earthy tones centers the natural world and the minimalist imagery makes the turtle world larger-than-life. Alkins shared a bit about her process:

The illustration “Mummy arrived in the Caribbean” uses a turtle’s-eye-view angle to put toddlers in the driver’s seat as the majestic mother leatherback scans the beach. I remember the first time seeing the leatherbacks lay under the glow of the moonlight. It was slow at first but finally one emerged, climbing slowly up the steep beach. As we took our gaze off of her, they started coming out in droves. It was such a surreal experience and we felt like we were in a scene from Jurassic Park. I definitely recommend it for everyone’s bucket list.

In the “Scrambling towards the sea” illustration, readers get right into the action with the mass of turtles racing across the surface of the sand towards the sea. Anyone who has witnessed turtle hatchlings emerging from their nest can attest to the melee depicted in this scene.

With the turn of a page, the “Wait, wait, Nooooo” illustration turns up the drama from zero to one hundred. This is probably my favourite part of the book when I’m doing readings with little kids who are usually on the edge of their seats and wide-eyed. I can’t help feeling really grateful that I am able to hold their attention.  
Mummy arrived in the Caribbean

Scrambling towards the sea

Wait, wait, Nooooo

Thousands of miles


Alkins on what Caribbean children's illustration means to her:

I enjoy the openness of Caribbean children’s illustration - from hand drawn, to collage, to digital, the types of lines, colour palettes, quirkiness and techniques – there are so many different approaches, but once done well, they work. I love that elements of the artist’s voice are reflected in the work.


Biography

Jeunanne Alkins is a creative director from Trinidad and Tobago. Her studio (Everything Slight Pepper) accolades include multiple design, ideation and entrepreneurial awards. She is also the author, illustrator and self-publisher of her debut title, Ready. SET...HATCH! Currently she is working with her team on a picturebook called The Most Magnificent which focuses on the built heritage of the Caribbean, and on an adventure-travel cartoon and comic series called Bim and Bam. She is passionate about edutainment and the difference design can make in how children learn.

View more of Jeunanne's work here:

http://www.jeunanne.com/




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Featured Illustrators: Laura James





Anna Carries Water is Olive Senior's upcoming picturebook (Tradewind Books, 2014), set in Jamaica, about a girl learning to balance water from the spring on her head. Laura James illustrated Anna Carries Water, her debut work as a children's illustrator. James created the illustrations using acrylic on canvas.

Anna, the youngest of six children, cannot carry water on her head like the rest of her siblings. In the illustration titled "Hurry up Anna!", Anna's sisters and brothers wait while she tries her best to get the coffee can on her head. They are ready to go and she is still trying to balance her can. They don’t think she can do it and they are tired of waiting.

In the illustration, "Home From the Spring", the children walk in a straight line; all except Anna are balancing water on their heads. James confesses: "This is one of my favorite pictures because I was able to show a lot of foliage and a bit of the countryside, and the orange leaf trees that I enjoyed painting. I was also happy to be able to get the Jamaican flag in this one." The illustration, "Oh No, Cows!", shows Anna as she comes face to face with one of Mr. Johnson’s cows; she is very afraid of them and thinks they are out to get her! Of course they are not, and this fear actually helps her to finally balance her water can on her head. Because she is afraid she doesn’t think about it, but puts the can on her head and takes off running!

"Hurry up, Anna!"

Oh no, cows!

Laura on what Caribbean children's illustration means to her:

"I was very delighted to make the illustrations for this book, written by celebrated Jamaican-Canadian author Olive Senior, and set in Jamaica. This was my first time illustrating a children’s picture book, and I worked on the paintings for about a year. I like to use vibrant colors and painting foliage and lush scenes, and interesting animals, so making these pictures for a Caribbean story was great. It is also nice to share the story with children in the States who are unfamiliar with Caribbean scenes and language, explaining what ‘dasheen’ is, etc. Also sharing the struggles of having to fetch water for daily use and talking about water conservation with young children has been a plus."


Home from the Spring
Biography

Laura James, a self-taught painter of Antiguan heritage, has been working as a professional artist and illustrator for over twenty years. She has organized many exhibitions and special projects, including initiating a successful crowd-funding campaign to bring culturally relevant religious art to a remote area in Haiti. Ms. James is currently at work on an ongoing series of paintings titled Nannies and Other Mothers where she tells the stories of countless women who leave their families to come to America, UK, or Canada in search of a better life, taking jobs as domestic workers. The Nanny Series – A Postcolonial Reading incorporates a paper and slide presentation around this project and was first presented at the 2nd ISA Forum of Sociology in Buenos Aires, Argentina in August 2012. James work is widely collected and exhibited and her images have been published in numerous publications and media. She lives and works in the Bronx, New York.

View more of Laura's work here:

www.laurajamesart.com





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Featured Illustrators: Sayada Ramdial

Sayada Ramdial
Trinidad and Tobago

Although Sayada Ramdial has not yet illustrated a children's book, she has worked on several design projects for children and hopes to illustrate a picturebook one day. Her Christmas card line, "Designed For a Smile" celebrates the spirit of Trinidad and Tobago Christmas, often through the eyes of childhood. Her illustrations are done entirely digitally in Photoshop with the aid of a graphics tablet.

The illustration "Making Pastelles" captures one of the traditions of Trinidad Christmas: making pastelles! Pastelles are delicious seasonal pies made of cornmeal and stuffed with meat. Ramdial says: "I wanted to show in this illustration the feeling of family bonding through cooking. That, and the inevitable stealing of some meat from out of the bowl!"

The illustration "Christmas Eve" was inspired by a personal memory: "When I was very young, my sister and I would wake up in the middle of the night on Christmas Eve and go with flashlights to the Christmas tree to sneak a peak at what Santa had brought us. It was all fun and games until we got caught and were sent straight back to bed!" Sounds familiar?

Making Pastelles


Sayada Ramdial on what Caribbea children's illustration means to her:

"Caribbean children's illustration to me means representing our culture in a way that educates, engages, and delights children, and makes our young people feel included in media meant especially for them." 

Biography

Sayada Ramdial is an artist and illustrator from Trinidad and Tobago. Her love of drawing from an early age was nurtured and grew, eventually leading to her pursuing a Bachelor's degree in Illustration from the Savannah College of Art & Design. Since graduating in 2012, she has returned to Trinidad to work as a freelance illustrator. Her illustrations appear in the poetry collection Through The Eyes of Innocence by Tessa Pascall and are also forthcoming in books by Andy Campbell and Jan Westmaas.

View more of Sayada's work here:



Christmas Eve

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[Featured Illustrators] Caroline Binch

Caroline Binch
Britian

Caroline Binch's latest picturebook project, Look Back!, celebrates the relationship between a grandmother and her grandson Christopher as she tells him about her Caribbean childhood adventures in the rainforest in search of a mysterious creature called Ti Bolom. Is Grannie’s Ti Bolom real or just one of her stories? Written by Trish Cooke, a British children's author of Dominican heritage, Look Back! was published by Papillotte Press in May 2013.

The illustrations "Grannie as a little girl" and "Christophine is frightened" depict Grannie as a little girl searching for the mysterious Ti Bolom in the rainforest. The illustration "Christoper Ponders" depicts the grandson Christopher reflecting on Grannie's story about Ti Bolom and wondering if it's true.



Grannie as a little girl

Christophine is frightened

Christopher Ponders


Caroline on what Caribbean children's illustration means to her:

"I hope that all my books that focus on the Caribbean, including my latest, Look Back!, can lead to better understandings between children from different countries. Gregory Cool, for example, is now read by children in both the UK and Tobago and has led to exchanges between the two countries. I hope my books can lead to making the world a more friendly place where children can identify with the similarities between them and not the differences."

Biography

Caroline Binch is the acclaimed illustrator of Amazing Grace, which has sold more than one million copies and was named "One of the Best Illustrated Children's Books of the Year" by the New York Times. A winner of the Smarties Prize, she was twice shortlisted for the Sheffield Children’s Book Prize. Among her work set in the Caribbean is the picture book Gregory Cool (set in Tobago) which she also wrote; Hue Boy (with words by Rita Phillips Mitchell) and Down by the River: Afro-Caribbean Rhymes, Games and Songs for Children (with Grace Hallworth). She lives by the sea in England but has traveled widely in the Caribbean, having visited Jamaica, Belize, St Lucia, Trinidad and Tobago and Dominica where she researched Look Back!

View more of Caroline's work here:

http://www.carolinebinch.co.uk/




















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Featured Illustrators: Danielle C. McManus-Sladek

Danielle C. McManus-Sladek
United States/Jamaica

Danielle C. McManus-Sladek's self-published e-picturebook, My Grandma's Journey is a fictional story inspired by her grandmother, Evelyn Brissette's, journey from Jamaica. It tells of Evelyn's adventure on a ship destined to America when she was seven years old, and her special friendship with a girl named Edna Marsh. You can preview My Grandma's Journey on Blurb.com.

In the illustration "Evelyn Leaves Kingston", a sad Evelyn is held in the arms of her mother Edith as she waves goodbye to friends and family. For this illustration McManus-Sladek used watercolor, pastels, and brown sepia ink outlines. She channeled her own memories of moving across town as a child in creating this illustration.

The illustration "Evelyn Remembers" shows Evelyn thinking about all the things she left at home including her cat, Murry; Evelyn is flying back to Jamaica with her favorite blanket that her mother made her. Her blanket reminds her of home and the smell of home. McManus-Sladek used cut-out paper along with watercolors, colored pencils, and sepia ink.




Danielle on what Caribbean children's illustration means to her:

"Caribbean children's illustration means education and history to me. I think it is important to educate everyone about different cultures other than your own and to educate yourself about your own culture as well. I have noticed there are many negative depictions of the Caribbean and definitely a lack of children's books that speak about it in a positive and beautiful way. It is important to me as an illustrator and author to educate children and adults about a culture that is both special and meaningful."

Biography

Danielle C. McManus-Sladek is of Jamaican descent and currently resides in New York where she works as a freelance illustrator. Some of her clients include Crain's New York Business, Easy Spirit/Jones Apparel, MacsWomen, and Lam Design. She has currently written and illustrated five children's books. Presently her work is being shown at Mystic Seaport in the exhibit entitled, 'Restoring a Past, Charting a Future.' As an ambitious artist and entrepreneur, she launched her children's book company, Little Timeless Tales, and a greeting card store on Etsy.

View more of Danielle's work here:

http://littletimelesstales.blogspot.com/
http://aloveofdrawing.blogspot.com/
http://www.aloveofdrawing.com





















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